If there’s anything we learn from our daily practice of listening to and learning from community, it’s that all of of our individual experiences make up the comprehensive communal curriculum for success in this long journey of life.
You all constantly reflect the tools we need for safety.
You show us how to make do, make something out of nothing, and make space for each other overall.
You also teach and share with us all we need to develop into full beings, creatively contributing to our immediate communities, and the world at large. And this is worth sharing and celebrating.
Below, we’re sharing and celebrating the work of HOLI. Brands community member, Marrion Johnson (you met him and his partner Allen Michael in our article on working from home with your partner during Covid-19). We hope you enjoy it! And we hope you learn something that grows you!
The summer before I began my MFA program in Creative Writing at Saint Mary’s College, I found myself anxiously perusing the aisles of a boutique bookstore in San Francisco, desperate for a little bit of creative inspiration.
It had been weeks since I’d written anything useful, which of course only fueled my anxiety and feelings of self-worth. I knew I could write, but I struggled with finding my voice and feeling capable of completing work that I felt proud of. And because of these rising tensions, the simple thought of entering graduate school was, quite frankly, stressing me out. Determined to practice a little patience and kindness with myself, I decided to go book hunting in the city with a friend, in an effort to take my mind off of my worries, if only for a little while.
“Have you ever heard of E. Lynn Harris?” My friend asked, holding out a used copy of Harris’ first novel, Invisible Life. The book’s cover was a photograph of a handsome brown-skinned man in what appeared to be a love triangle with a Black man and woman to his left and right sides. Needless to say, I was captivated by the cover and my interest suddenly piqued.
I glanced at the book and replied to her question with an innocent shrug. The name was familiar but I couldn’t put a face to it. Since we were in the Castro, San Francisco’s gay district, I figured Harris had to be queer. And from the look of the cover, I was certain he was Black. So, I picked up a copy and instantly started skimming through its pages.
“You must read this novel,” my friend implored before ushering me to the counter to make sure I purchased the book that she said, and I quote, “turned me out” as a teenager. I didn’t put up much of a fight. Losing myself in the stories of other writers’ work, I figured, might be just what I needed to overcome my writing slump and jumpstart my creative flow.
I placed the paperback into my backpack where it remained for several weeks until I finally cracked it open later that September.
Born in Flint, Michigan in 1955, E. Lynn Harris grew up traversing the south, living in Texas, Georgia, and Arkansas. He worked as a computer salesman in the 1980s but decided to commit himself to his writing due to the encouragement of a friend dying from AIDS, and after his own failed drunken suicide attempt in 1990. By the following year, in 1991, he had completed and self-published his first book, Invisible Life, which he sold from the trunk of his car for years before eventually catching the eye of a national publisher and rereleasing the novel to great acclaim in 1994.
The more I learned about Harris, the more excited I became to dig into his book. A big part of my writing practice has been to prioritize reading as a source of inspiration. I read to see how others who came before me wrapped their heads around the stories that sometimes felt insurmountable before they finally found the courage to bring their tales to the page.
I’d already been obsessively reading the works of many talented Black fiction writers like Toni Morrison, Octavia Butler, and Tananarive Due, to name a few. But I had yet to come across what I felt to be the true canon of Black queer fiction. I mean, I knew that it was there. Many of us know, love and revere our collective literary father James Baldwin. And of course, I’m familiar with his work, namely his first two novels Go Tell It On The Mountain and Giovanni’s Room. One was explicitly Black, another was explicitly queer. But the two hadn’t converged. And honestly, although I had begun to see more Black queer characters on the big and small screens, I still had yet to come across an intimate portrayal of them, of us, in the literature that I loved so much. So, finally having my hands on the work of an author like E. Lynn Harris–who for all intents and purposes, was just like me–was thrilling, and once I actually resigned myself to reading his book, I immediately began to breeze through the pages.
Invisible Life follows Raymond “Ray” Winston Tyler, Jr, a rising southern-born attorney, who comes to explore his bisexuality in college after an intense romance with a younger athlete, and who eventually embraces the bi “lifestyle” while living in New York City. It is in New York where Ray learns all about the city’s thriving Black gay community, often bar-hopping with his friends Kyle, an out Black man, and JJ, their supportive straight woman friend, and engaging in romantic dalliances of his own with a series of men who are more often than not, closeted. There’s just one thing: while Ray is slowly coming to terms with his own budding sexuality, he is not out at work or with his family back home in Alabama, and still craves the normalcy that comes with hetero life. Eventually, Ray even finds himself in a love triangle with a fellow closeted man, Quinn, and a rising Broadway starlet, Nicole. Throughout the novel, Ray goes back and forth between choosing his undeniable chemistry with Quinn, who happens to be married, or settling down with Nicole and following the script that has already been written for him by his family and society.
What I appreciated most about Invisible Life was E. Lynn’s commitment to humanizing the closeted, or “down low” (aka DL) experience. For as long as I can remember, the term down low has been met with a serious amount of hostility from straight women who fear of learning that their partner is secretly sleeping with men, and openly gay men, like myself, who’ve become frustrated with the constant narrative of deceitful, undercover gays taking equal advantage of the men and women alike.
I’ll be the first to admit that as a young person, I too looked down on DL or closeted men. After coming out before my freshman year of college in 2007, I relished in the freedom that came from simply being who I was, wearing what I wanted, walking with an extra strut in my step, expressing myself as I pleased. Sure, I’d endured homophobic microaggressions from straight men who thought I was too flashy to join their fraternities or too femme to lead their student groups. But, living in my truth drew me to the people that were genuinely there for me. The ones who lifted me up and encouraged me to chase the stars, not despite my sexual orientation, but because of it.
Still, it wasn’t until I fully immersed myself in the pages of Invisible Life, did I begin to remember the serious internal struggle that came with attempting to live a life in your truth, whatever it may be. I recalled the mental hurdles it took to address the internalized homophobia that constantly tells us to distance ourselves from other queer folk. We see this on the page when Ray doesn’t stand up for a gay applicant at his law firm, afraid that doing so might out him. “I didn’t know him, but I couldn’t risk the chance of being found out by being supportive.” I remembered the hateful things some of us would say to ourselves and the ones we love in order to fit in enough to be accepted. We see this as well when Ray combats his flamboyant best friend for using effeminate gay lingo. “Kyle, I’ve told you about that ‘Miss Thing’ shit. We have a deal. Don’t ever call me that again, Kyle. I just don’t play that shit.” And how could I forget about the constant need to prove our masculinity in a society that refuses to embrace a diversity of manhood? We see this when Ray finally opens up to his father about his sexuality. “Pops, no matter what you think of me, I’m no sissy. I am the man you raised me to be.”
It was difficult hearing Ray say hurtful things to other queers, especially to his best friend who, unlike Ray, faced scrutiny from gay and straight people alike for simply being who he was. Equally troubling was seeing Ray so easily dismiss the femme gay experience all so that he can still be seen as a “man” by a father who likely never even questioned the patriarchal framework society enforced onto him and simply molded himself into the idea of what a “man” should be.
As challenging as it was witnessing Ray’s struggle to accept himself, I found it refreshing to see such honesty on the page. As a fiction writer, I can admit to the occasional fear that comes with presenting nuanced and complex characters, particularly Black ones who are less than perfect and might have opinions that go against everything that I personally believe and value. However, Harris reminds me of the importance of illustrating the humanity in those folks; in the people who are still learning who they are and how they might go about showing up in the world. After finishing Invisible Life, I not only found myself expressing more empathy for the closeted folks in my community, but I also felt a deep appreciation to E. Lynn Harris for reminding me that everyone, even those who I might not understand, has a story that deserves to be told.
If you’re interested in reading more of Marrion’s experience, or just knowing more about E.Lynn Harris’ Invisible Life (or James Earl Hardy’s Invisible Blues - the other text Marrion discusses in his essay), you should check the full piece out at Lambda Literary.